일요일을 위한 여백

전체 프롬프트

Subject: 헐렁한 셔츠를 입은 어른이 의자에서 책을 읽고 옆에서 고양이가 낮잠을 잡니다. 낮은 탁자에 작은 빨간 찻주전자. 제목 “일요일을 위한 여백”. 세로 2:3. Visual style: Contemporary everyday people, animals and small daily-life scenes on white or slightly warm paper, with large areas left empty. Draw figures rapidly with a brush and ink: loose lines of varied thickness, naturally alternating dry and wet strokes, broken strokes and open contours are welcome. Highly distilled figures have slightly awkward proportions; posture and movement express emotion. The person is the main visual subject; retain only a few necessary setting elements. Predominantly ink with sparse local touches of vermilion, ochre, mineral green and cerulean blue. Integrate calligraphic wording and a vermilion seal naturally into the negative space. The overall feeling is plain, relaxed, humorous and leisurely, combining modern life sketches with expressive Chinese brushwork. Layout: Xiaohongshu social-media card. Use a text-above-image layout: place the theme copy and concise supporting text in the upper section, with a complete primary or scene illustration below. Keep a clear top-to-bottom reading order, let the text and image relate naturally, and keep the overall composition simple. Palette: Theme color: Cinnabar Red. Cinnabar red as a small accent, ink black and warm white paper. The subject brief is the sole source of content; style changes rendering only. Do not add unrequested brands, characters or artist signatures. Retain every requested module, quantity, action, composition, detail and constraint; do not summarize them away. Explicit user content, exact copy, color and no-text requirements take priority. A selected palette overrides only the style’s default colors, preserving its other characteristics. If the subject requests no text, draw no lettering, even in a layout with text areas. Otherwise integrate typography into the composition. Preserve any exact copy in the brief; otherwise develop meaningful copy in the subject’s language instead of literally describing the picture. For conceptual subjects, design a human or nonhuman visual metaphor first, then integrate words and image into one composition. Never shorten supplied copy unless asked. Use only supplied places, data and facts; never invent opening hours, prices or distances.