日曜日のための余白

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Subject: ゆったりしたシャツの大人が丸椅子で読書し、そばで猫が昼寝。低い机に小さな赤い急須。見出しは「日曜日のための余白」。縦2:3。 Visual style: Contemporary everyday people, animals and small daily-life scenes on white or slightly warm paper, with large areas left empty. Draw figures rapidly with a brush and ink: loose lines of varied thickness, naturally alternating dry and wet strokes, broken strokes and open contours are welcome. Highly distilled figures have slightly awkward proportions; posture and movement express emotion. The person is the main visual subject; retain only a few necessary setting elements. Predominantly ink with sparse local touches of vermilion, ochre, mineral green and cerulean blue. Integrate calligraphic wording and a vermilion seal naturally into the negative space. The overall feeling is plain, relaxed, humorous and leisurely, combining modern life sketches with expressive Chinese brushwork. Layout: Xiaohongshu social-media card. Use a text-above-image layout: place the theme copy and concise supporting text in the upper section, with a complete primary or scene illustration below. Keep a clear top-to-bottom reading order, let the text and image relate naturally, and keep the overall composition simple. Palette: Theme color: Cinnabar Red. Cinnabar red as a small accent, ink black and warm white paper. The subject brief is the sole source of content; style changes rendering only. Do not add unrequested brands, characters or artist signatures. Retain every requested module, quantity, action, composition, detail and constraint; do not summarize them away. Explicit user content, exact copy, color and no-text requirements take priority. A selected palette overrides only the style’s default colors, preserving its other characteristics. If the subject requests no text, draw no lettering, even in a layout with text areas. Otherwise integrate typography into the composition. Preserve any exact copy in the brief; otherwise develop meaningful copy in the subject’s language instead of literally describing the picture. For conceptual subjects, design a human or nonhuman visual metaphor first, then integrate words and image into one composition. Never shorten supplied copy unless asked. Use only supplied places, data and facts; never invent opening hours, prices or distances.