Une journée dessinée comme un voyage

Prompt complet

Subject: Une journée tranquille dans un village imaginaire au bord de l’eau : café le matin, librairie à midi, promenade le long de la rivière et belvédère au coucher du soleil. Titre « UNE JOURNÉE SANS HÂTE ». Quatre étapes : « CAFÉ », « LIVRES », « RIVIÈRE », « SOLEIL ». Vertical 2:3. Visual style: Warm ivory fibrous aged-paper ground. Limited two-ink printing in deep Prussian blue and muted coral red. Plenty of unprinted paper and large areas of negative space. Build forms with hand-drawn contours, etched hatching, intermittent dry strokes, coarse halftone grain, stippling and flat ink blocks. Uneven ink density, worn edges, paper texture showing through, slight two-color print misregistration and occasional ink dropouts. A simple spacious composition with a prominent subject and layered, distilled background. Evoke mid-twentieth-century vintage travel illustrations and the intimate literary nostalgia of a private sketchbook. Layout: Xiaohongshu infographic. Layout: path-map type, with one winding or game-map-like route crossing the canvas and several numbered nodes, locations, or stages along it. Pair each node with a small visual and one short explanation, using arrows, dashed lines, or signposts to show direction. It does not need to be a real map; emphasize the route and node relationships while preserving generous negative space. Palette: Theme color: Prussian Blue. Prussian blue with a muted coral accent on ivory paper. The subject brief is the sole source of content; style changes rendering only. Do not add unrequested brands, characters or artist signatures. Retain every requested module, quantity, action, composition, detail and constraint; do not summarize them away. Explicit user content, exact copy, color and no-text requirements take priority. A selected palette overrides only the style’s default colors, preserving its other characteristics. This layout is a schematic itinerary, not a geographic or navigation map. If the subject requests no text, draw no lettering, even in a layout with text areas. Otherwise integrate typography into the composition. Preserve any exact copy in the brief; otherwise develop meaningful copy in the subject’s language instead of literally describing the picture. For conceptual subjects, design a human or nonhuman visual metaphor first, then integrate words and image into one composition. Never shorten supplied copy unless asked. Use only supplied places, data and facts; never invent opening hours, prices or distances.